Friday, August 30, 2019

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Spring aftertaste on Tet picture


The hobby of playing Tet paintings in the past has become a beautiful custom of Vietnamese people. It is an indispensable part of the space of the ancient New Year, also a place to keep deep spiritual values. On those paintings, not only the vibrant colors evoke a warm and cozy new feeling of spring, but the content of each painting has made the aftertaste of Tet to every family of Vietnamese people.
The jubilant strokes of the dragon dances, unicorn dancing on the message background, the paper, as resounding a verse: "any house with lights still on fire, open my door, step on the high hill with a dragon hatching, walking down on the low mound, there is a dragon flanking, walking behind there is a tiled roof… ”of a folk game during Tet. Folk paintings can be played and hung all year round, but perhaps they are still the most popular during Tet, when people have the widest amount of time to relax, to contemplate and to enjoy. So when it comes to the two lines of Dong Ho and Hang Trong paintings, the theme of Tet on these works is probably the most abundant.

This is not an illustration of the New Year, but these folk paintings are a tribute, a blessing for the best for a new year and a prosperous year. By the very symbolic images very close, close but contain hidden messages full of humanity. Nhu Tien Tai and Tien Loc are always posted at the gate to invite the god of wealth to the house. The set of Phuc - Tho pictures with wishes "Phuc Nhu Dong Hai" and "Tho Ty Nam Son", the words that were written in later pictures are illustrated for the content of the wishes. This is also a way of playing Vietnamese calligraphy for Vietnamese people. Many Phuc letters are engraved in an elaborate manner with up to 24 images of filial piety of children towards their parents, or in Tho, there are 28 constellations. The foursome like Xuan Ha Thu Dong, or the four girls, play the piano, flute, Second, another elegant feature of Tet paintings. They combine with hobby of ornamental plants, playing flowers, making Tet holiday space with a special luxury.

However, playing Tet paintings is not only fun for the whole year, but Vietnamese people send it to their delicate philosophies. Painting "Ly Ngu Vong Nguyet" is a typical example of the philosophy of yin and yang. It is shown right in the bend of the fish to form the dipole of the letter S. The moonfish here is not the moon in the sky, but the moonlight printed in water. The opposite of these two meaningful circles has created the two nuclei of the dipole formation, which is positive and negative. Cool blue eyes, the flexible fish swimming are probably just an excuse to convey emotions about nature, but the meaning of the harmony of yin and yang is the secret that the ancients wanted to convey. It also brings blessings for a new spring in harmony.

If Chinese culture emphasizes words more than paintings, then Vietnamese Tet pictures are simply symbolic of images. New image makes the soul of the New Year wishes, it is a plump child in the duo of paintings Vinh Hoa, Phu Quy or pig herds and chickens. The Chinese characters that appear on paintings sometimes only serve as an outline for the layout or title of a picture. However, the title is also Vietnamese people act "Nom" for easy to understand and remember like Vinh Hoa, Phu Quy called the baby hugging a chicken, holding a duck, just close but also very easy to imagine. The chicken is a symbol of courage and the five virtues of the human being, the Humanity of Faith and Faith. The duck symbolizes prosperity and prosperity. In addition to the Vinh Hoa painting series, Phu Quy is also a pair of Nhan Nghia paintings, a baby holding a toad and Le Tri is a girl holding a turtle. These are works entirely created by Vietnamese people. The toad in folk is a small but courageous, humane and clever animal, manifested in the fairy "the toad is a grandfather Gioi". So, the little boy hugging the frog is hugging the toad's temperament, the humanity of the toad, and the courage of the toad. At the same time, people want to convey the wish that the child will have those good qualities. And the turtle is a symbol of long life, noble and sustainable, it is also an animal located in the four spirits Long - Ly - Quy - Phuong. The image of a baby hugging a turtle is the image of preserving an intrinsic value: Ceremony - Tri. At the same time, people want to convey the wish that the child will have those good qualities. And the turtle is a symbol of long life, noble and sustainable, it is also an animal located in the four spirits Long - Ly - Quy - Phuong. The image of a baby hugging a turtle is the image of preserving an intrinsic value: Ceremony - Tri. At the same time, people want to convey the wish that the child will have those good qualities. And the turtle is a symbol of long life, noble and sustainable, it is also an animal located in the four spirits Long - Ly - Quy - Phuong. The image of a baby hugging a turtle is the image of preserving an intrinsic value: Ceremony - Tri.

The Tet on Tet paintings is not only expressed on the themes of the paintings but also expressed in the colors of the paintings. Like the color of red lipstick or cinnabar, on pig chicken paintings, is considered a good luck sign of Vietnamese people. Red, purple, on a shimmering background seemed to dispel the cold of winter. From the red strokes on the paintings to the pink on the peach blossoms, the red on the couplets, makes the feeling of Tet become bustling. In addition, the boldness of the black strokes, glowing yellow, dark green of indigo leaves, white taken from the bark of the scalloped bark ... although monochrome, when printed in overlapping layers, it creates other effects. , not dazzling but warm joyful, like the atmosphere of Tet. In addition to the value of creating fresh and harmonious shades, this color is also the five colors of the five elements, metal, wood, water, fire, earth.

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